A question about enharmonics and register

According to Wikipedia:

The octave number is tied to the alphabetic character used to describe the pitch, thus:

  • “B3” and all of its possible variants (Bdouble flat, B♭, B, B♯, Bdouble sharp) would properly be designated as being in octave “3”.
  • “C4” and all of its possible variants (Cdouble flat, C♭, C, C♯, Cdouble sharp) would properly be designated as being in octave “4”.

In describing musical pitches, nominally enharmonic spellings can give rise to anomalies where, for example in meantone temperaments C♭
4 is a lower frequency than B3; but such paradoxes usually do not arise in a scientific context.

This reddit thread is also worth looking through: https://www.reddit.com/r/musictheory/comments/67uqni/is_cflat_4_the_note_one_semitone_below_middle_c/dgthm9l/

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