I’d just stick to what Josh says, 2 down 2 across learn the E and the A and the D and G are just that 2 down 2 across ,easy peezy, just takes time and practice.
Cheers Brian
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I will be short here : no.
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LOL perfect 
Unpopular opinion: you don’t need to worry about memorizing the fretboard. At all. For a long time, until way after finishing the course.
What you need will come with time, and when it doesn’t, you will have the tools to figure out the notes you need. This will get you a long way.
Josh teaches a really simple method. Just memorize where the first F, G, A, B are on the E and D strings, and where C, D, E are on the A and G strings, and you will be fine for a very long time. It’s easy - they are consecutive whole tones and if your bass has dot inlays there’s already dots on all of them except the first F, and some basses dot that too.
Assuming no dot on the first fret, it’s the first fret plus the first three dots on the E string, first three dots on the A string, first four dots on the D string, and the 2nd-4th dots on the G string. You can figure everything else out from there when you need to.
IMO memorizing the fretboard is a useless exercise before basic muscle skills and technique are built first. After that, go crazy
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There is, in my case at least, a problem with that. And that is, other teachers aren’t Josh. I’m taking several courses on talkingbass.com and one on SBL and they both kind of require a knowledge of the fretboard notes. Yes, you could probably work around it, but it’s almost easier to just put in the effort of memorizing it. Which I am struggling through now.
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Yeah, I agree with both sides. I like the simplified notes in the first 5 frets @howard pointed out, and it helped a great deal, I still rely on it much.
I am also with @itsratso …
I am too, I am in the middle of the Scales Essentials.
I wouldn’t say it requires you to know it going into this course, it would help of course, but if you did know it already, you may not need the course. This kind of forces you to know the notes, but I don’t feel like I NEEDED to know it going in. This course not only helps with fretboard memorization, it explains the music theory behind it, so you understand the fretboard, and relation to the circle of 4ths and circle of 5ths.
I still feel like I struggle with it, and I beat myself up thinking I should know it way better then I do, but then I first ease up on myself, and remind me that I am only 6 months in, and the first two were pre B2B, so I probably only got about 1 good week worth of good sound bass lessons out of the first 6-8 weeks. and then when I do exercises, lessons, practice or just mess around on the bass, I find I know it a bit better then I give myself credit for.
I am maybe 25% to where I need / want to be, but if I can do 25% every 4-6 months, while learning scales, theory, chord tones, technique, slap, rhythm training, ear training, etc… that is good progress IMO
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After 8 replies (don’t do it!) I guess it’s pretty clear, I just need to be patient, that in my next up a coming lesson that Josh will lead me to the holy grail of fretboard memorization! Thanks to all for your reassurance.
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It sounds that like a lot of us you put a bit of pressure on yourself and expect that you should be doing everything at once. I know I certainly do.
Something I am trying to do and something Josh emphasises throughout the course is to enjoy it and although work at your skills don’t put so much yourself under so much pressure that it becomes a chore.
It’s not easy but I’m sure it’s the way forward
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Are you taking lessons with Josh?
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@401Blues Learning (not memorizing) the fretboard is something that happens over time and with repetition. Notice, I said learning, not memorizing.
The board is like a map, you just have to learn how to read it. Once you’ve pinpointed the location of a few notes, you can easily navigate to neighboring notes… you just have to know the direction and distance you have to travel to get there.
I’m attaching a graphic I made when I first started playing (I also made one for 5 string if you want it). Think of it as a roadmap. Use it as a study guide but don’t try to memorize it. You’ll soon recognize some of the patterns. Just learn things like: if you are on the 3rd fret of the A string ( C ), for example, one string up is F (4th), one string down is G (5th below), two frets up and two strings up is the octave, the octave is always one string above the 5th, etc. This same pattern applies no matter what key you are in.
Also notice that each fret follows the same pattern of 4ths: C, F, Bb, Eb, Ab, Db, Gb, B, E, A. D, G. For example, Bb is always one string above F. B is always one string above Gb. D is always one string above A, etc.
Once you are able to remember the location of a few notes, getting to other notes becomes a piece of cake, once you understand the sequence … and then eventually you’ll remember the location of those notes as well.
Practice practice practice. Study study study. Enjoy enjoy enjoy.
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I say do it if you think it will help. I went a taught myself the basic major and minor scales to become more familiar with the position of notes. We all learn in different ways.
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That is a great way to do it, the Major more so then the minor because all intervals are based off the major scale, but it is important to learn all the shapes eventually, and is key to then learning all the notes on the fretboard, so you are certainly off to a great start.
once you learn how the scale modes are build off the c major scale, and why they are built that way it gets easier and easier, at least for me, that was the big eye opener that helped most.
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i have a hard time memorizing the notes of the fretboard, something i’m still currently struggling with. but recently i decided to use josh’s suggestions and modify them so they make sense to me, require little memorization, and don’t take a ton of time. i came up with this routine that takes less then 5 minutes. i do it to start each practice. it assumes you have some basic knowledge of bass either from the b2b course or his free video on the fretboard. the only thing to memorize is the word GAB, and the letters CDE (which if you have a hard time remembering, remember that most exercises start on C and you can just sing the alphabet song CDE). so here is mine, if you read it it may seem long and confusing, if you grab your bass and do it it takes about 3 minutes and is simple.
Play the 4 open strings and say the notes (OUT LOUD) EADG.
Play the 4 strings at the 12th fret and say the notes EADG.
repeat x3
Play the notes on the 1st, 2nd, 3rd dots on the E string and say notes GAB.
Do the same on the A string and say the notes CDE.
On the D string skip up a dot to dots 2nd, 3rd, 4th and say the notes GAB again.
Do the same on G string (dots 2,3,4) and say the notes CDE again.
repeat x3
use josh’s B/C “Buddied Close” rule:
Play GAB on E string again (start 1st dot) and say out loud but go up one more fret from B and say C (C follows B, buddied close).
Do same on on D string (start 2nd dot).
repeat x 3
Play CDE on A string (start 1st dot) but start one fret before and say B.
Do same on G string (start 2nd dot).
repeat x 3
use josh’s E/F “Extra Friendly” rule:
Play CDE on A string (1st dot) but play next fret up and say F (E follows F, extra friendly).
Do the same on G string (2nd dot).
repeat x3
as you become familiar with it, you can combine some steps to make it easier. for instance you could combine steps to play BCDEF and GABC all at once. there are 32 natural notes on a bass up to the 12th fret, this teaches you 26 of them, almost all. the fretboard is like a crossword puzzle, the more letters you fill in the easier it gets to find the missing ones. after you learn the natural notes you can figure out where sharps and flats are easily. that’s 3 easy’s in one paragraph, easy 
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I did much everything you listed, and still do some of it, but
I not only did the 12th fret, I started at the 5th to the 12th
5th fret and say the notes ADGC
7th fret and say the notes BEAD
12th fret and say the notes EADG
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yep, also a nice concise easy to follow plan.
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My personal experience I did buy the decals without consulting anyone. They did not help me at first to LEARN the fret board but this was in the beginning stages of playing bass where it all sounds so difficult. One day I decided to get over my fear of feeling stupid if I couldn’t figure it out. I picked up the bass with the decals and look for repeating patterns and then applied the “down the scale flat, up the scale sharp” rule. After doing this I could Identify every note on the fret board within 24 hrs. I started by focusing on natural notes first and looked for patterns that repeat over the fret board that are easy to identify like BC and EF. BC on the A string and EF on the D string. These sets of notes appear together on several other places on the fret board.
Identify those and from there apply the sharp flat rule and the light switch should turned on like it did for me. The decals are useful for identifying the other BC and EF notes fret board. After you do this go to the 7th fret when you look at the decals you will notice that the 7th fret, from left to right, spells the word “BEAD”. From there follow the sharp flat rule. Being able to see BEAD burned in my mind that the notes on the 7th fret spells BEAD. I believed this happens because the decals provide you with the visual assistance. I will just say it depends on how you use the decals. If you use the decals they way I described to you, yes, it can be and effective “cheat sheet” and can make the learning curve a lot shorter and save you time and frustration. This is good if you are like me and pick up the bass in my 50’s. If guess what everybody else is saying would be ok if you are kid that has a lot of years left to figure it out, LOL. If this does not make sense to you message me and I can explain it in detail. Also you can go to this page in the Theory Forum of this site where I tell the whole story. I really thought I was doing something!
One more thing, if you read my about experience in the Theory Forum what I was referring to as “Whole Notes” are actually called “Natural Notes”…Josh pointed this out to me. So all the places where I wrote Whole Notes replace it in your head with the term Natural Notes.
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Well, I may be a youngster to you, but at 48, Its not like I have that much more time than you . 
I was actually able to see the BEAD in my head, and then when I learned the Circles, it made even more sense.
Of course there is nothing wrong with getting the stickers, but asking for pointers here, and getting pointed to a thread such as yours, and reading it, and asking questions for clarification if things are. not quite clicking, probably would do the trick, and take as much time as finding the stickers, ordering, receiving them, cleaning the fretboard so they stick, and then unsticking them and cleaning the fretboard after you were done.
I like whole notes, rolls off the tongue better for me, so I will just read them whole notes, and know they are Natural notes. 
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The thing is it really is a “each to their own “ situation.
Everyone learns differently and everyone will find things stick in their heads better than another way.
Play, learn and enjoy your journey one and all
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plus 1 to that.
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Plus another 1 for me
I see posts here about people being 50 and don’t have time to memorize the fretboard. Heck, I was 70 when I started and it didn’t take more than a couple of months of playing for me to figure it out. I keep telling people, it’s not a matter of memorizing the entire fingerboard, it’s just a matter of learning the patterns and sequences. But if the markers help you, then go for it.
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