@JoshFossgreen By and large a net positive, but here’s the kind of stuff I have run into, a month after finishing BTBA and wanting to learn songs I am very fond of.
Sting - “Shape of My Heart” from “Ten Summoner’s Tales” (1993)
First I found this one. First listening, I found the slides to be cool but I didn’t remember the song sounding that way. I also found fretting the 16th notes that first appear in measure 6 very tricky.
I looked at Sting’s official video and saw that he was fretting it in a different place and seemingly more simply - definitely less slides.
Then I went back to Songsterr and have been using this one for the most part. The fretting of the part I mentioned previously is still a little tricky, but for now I just play them as 8th notes and it sounds okay.
But notice in the Songsterr tab that the fretting of the same phrase suddenly changes in Verse 3 (measure 122) to something different, and adds a slide in one place. Listening on headphones, I don’t hear that new slide anywhere, and ironically there is one slide that can be heard throughout the song, and seen in Sting’s video, but is not noted in the tab. It sounds beautiful and I do play it that way.
Then there’s this one, which is totally different!
Now imagine a scenario (which is actually true) in which my neighbor - who is at about the same stage of learning guitar as I am on bass - and I agree to learn a half dozen songs so we can play together. Then we each go to our accustomed tab source(s) and discover all this confusion. Now multiply that by six. It seems like a lot of wasted effort to achieve the simple result of making the same joyful noise.
In the end I am able to enjoying playing a fair amount of songs using tabs, but only a couple by heart thus far. Ear training is looking pretty good to me at this point.
Edited to add: the notation segment, even at just 30 seconds, is VERY useful. The tips on beating bad tabs will be very helpful, especially in layers.