6db.
Every three decibels of volume requires the power output to double.
in contrast, a perceived doubling of volume is something like 10db (I forget exactly how much).
6db.
Every three decibels of volume requires the power output to double.
in contrast, a perceived doubling of volume is something like 10db (I forget exactly how much).
Yes
Thanks, that helps
+1
Itâs 10
Is there any way to guesstimate something like:
125w amp full power would be equivalent to 250w at 7/10 and 500w at 5/10, or are there too many variables to make a generalization like that.
and I donât mean 7/10 and 5/10, just using numbers to fill in, if you know, what would they be
there any way to guesstimate something like:
125w amp full power would be equivalent to 250w at 7/10 and 500w at 5/10, or are there too many variables to make a generalization like that.
I wouldnât be able to guess it.
Here is what I used to use for stereo amps. It is a generalization. It also assumes some things. One is you have to know the sensitivity of your speaker. A speaker that is 85 dB sensitivity (average home speaker) means 1W will give you 85 dB with your head 1 meter in front of it. Not realistic in the real world, sound diminishes quickly with distance.
Watts to dB (see explanation below)
1W = assume 85dB/w/m = 85dB
2w = +3 dB = 88dB
4w = 6
8w = 9
16w = 12 = 97dB (2x loud)
32w = 15
64w = 18
128w = 21 = 106 dB (2x loud)***
256w = 24 = 109 dB***
512w = 27 = 112 dB***
1024w = 30 = 115 dB (2x loud)
2048w = 33
4096w = 36
8192w = 39 = 124 dB (2x loud)
some sample spl readings at performances:
New age: 60-70 dB
Folk: 75-90 dB
Jazz: 80-95 dB
Pop: 90-95 dB
Classical: 100 dB
Rock: 95-110 dB
Heavy metal: 110 dB
Itâs kind of accepted that the smallest increase in dB that can be easily heard is +3 dB (i.e. increasing 5 dB to 8 dB sounds âa little louderâ). In order to get this you need to DOUBLE the ampâs watts. A +10 dB increase is perceived as twice as loud. So as you can see as amps get bigger you get insane diminished returns. Which is why I think buying huge amps is a waste of money. Some people will argue that it gives you added âheadroomâ (peak transients/loud short bursts) but the usefulness of this seems to be controversial amongst engineers (and basses donât have nearly as much peaks as guitars). This makes sense because as we just said, an amp would have to be able to momentarily double itâs continuous power to give you a +3 increase in dB (a little louder). To me, for most people the sweet spot zone for amps is *** above, which is why most bass amps are between 100-500w.
tldr: get a 500W amp. if you need a super monster amp, get a 1000W amp. Crown amplifiers has a great article on this.
@itsratso I read the whole article.
Now I want to play a coffee shop with 10,000 watts and a double stack of 105 db sensitivity speakers.
Seriously though, that was a great article.
Weird. Some kind of internal load resistor when operating at 4 ohms?
I think it has to do with what resource the amplifier runs out of first. If it drives down to 4 Ohms it has the current capacity. If it can supply the same power at 8 Ohms it has to also have the voltage capacity.
not a lot of manufacturers publish the sensitivity ratings of bass cabinets, but i have a feeling they are much more sensitive than home speakers. i found a 1x12 cabinet that was rated at 97dB thatâs close to twice as loud as a comparable home stereo speaker. high sensitivity home speakers became a big thing when audiophiles would fall in love with low power tube amps, where you could drive 110 dB speakers to insane levels with 8 or 10 watts. also a big thing in japan, where stereo guys sit 2 feet in front of their stereos (nearfield listening) because apartments are so small.
Seriously though, that was a great article.
Thatâs classic Bradford Benn. I guessed him after the first sentence. He definitely knows what heâs talking about. Samsung bought Harman(Crown) and very siilily let him go. He landed as the manager of technical systems for Universal Studios theme park creative division.
also a big thing in japan, where stereo guys sit 2 feet in front of their stereos (nearfield listening) because apartments are so small.
Audiophiles here are as⊠audiophile as you would expect. Another way they go are extremely high power electrostatic ribbon headphones, like Stax.
So you see guys running their stereos in to a $3k 50W 6SN7-based tube headphone amp like this, just to drive their 'phones.
The new STAX electrostatic hybrid tube amplifier with 6SN7 / 6SN7GT tubes in the 2nd stage while a custom-made low-noise dual FET is used in the first stage.
Price: USD 2,695.00
Audiophiles: the same everywhere
Audiophiles: the same everywhere
I mean, FFS:
The STAX SR-007MK2 headphone is an updated version of the classic SR-007 âOmega IIâ in black and with a slightly different driver. The sound is the warmest, lushest sound of any STAX with an emphasis on the mid-to-lower frequencies without a loss of...
Price: USD 1,945.00
â Impedance: 170 KΩ (at f = 10 KHz)
Pffft pocket change.
Which are the most expensive headphones in the world? We've put together this list of the 20 most expensive headphones As of 2023, and how much they cost.
Est. reading time: 9 minutes
I just literally LOLed at Beyerâs $1200 pair claiming they use âTesla-based technologyâ.
Beyerâs $1200 pair claiming they use âTesla-based technologyâ
itâs almost like they are trolling audiophiles hard with that, and if so, I fully approve
yeah thatâs what I though, it canât be serious
@DaveT Can you offer any tips on finding a power amp that will do 250 watts @ 8 Ohms?
Iâve come across some on the used market that are a lot cheaper than the ones in the list above. Although I would like something smaller, going with a cheap rack mount would be easier on my wallet.