Not being fluent in basic theory hit home pretty hard @JoshFossgreen
Perhaps that’s a New Year’s resolution in the making. I will improve my understanding of theory!
Another cool video btw. Thank you
I never found being left handed a particularly good reason to play a lefty instrument. I know someone people feel called to the lefty basses, but I figured I don’t know how to play it either way, might as well do the one that’s most readily available.
I’ve heard people talk about the possible benefits of having your dominant hand plucking vs. fretting and… I dunno, kinda sounds like hogwashy conjecture. Whatever works works!
Bang. Music theory. Still not really getting it after all this time. I’ll do what i knew i needed to do and go back to the modules. I apparently missed something there(again).
Playing too fast. If i find myself playing something that is boring or unappealing, i find i ramp the speed way up and fool around needlessly, so i guess random noodling, too?
Fact is, i found everything in the video applied to me, by a small or exaggerated factor.
Thank you, Josh. Yet again you bring the bass kung-fu!
This was GREAT! @JoshFossgreen - Mistake #3
…what I notice about almost all tabs is that at some point in the tune they switch the fingering of the main groove/idea etc, almost to show you a different one in case you like it better or its easier, etc.
Is this a common known thing?
Because at first it got me very confused and made songs harder for no reason (as you point out here). Then I realized to just learn it the way I thought was easier, period.
But no one ever tells you this hidden thing!
One thing you need to look out for in tabs is that for some reason a lot of people feel like they need to avoid open strings - even if it leads to terrible fingerings - when in many cases they not only are more appropriate but also sound much better (i.e. pedals, drones, etc). I’ve corrected a few where the open string was not only easier but also sounded better and was the way the original artist played it.