Fret fingering help/advice

Hi folks,
Overall my question involves speed vs sound trade off.

Working on playing my first full song (paperback writer - Beatles). I have the entire song down at 100 bpm. The song is to be performed at 157.

It’s really challenging to get the speed and pushing me to get my finger work super precise and efficient.

There are a few places where the tab sheet suggests fretting which seems less efficient but I imagine it’s done for a reason.

Example: one measure has all fingers on the A string: Open, 2, 3, 5 (followed by E3).

Wondering why not:
A-open, 2, 3, D-open, E3?

I saw Josh mention using the fatter string gives a richer tone. I’m guessing that’s why use of A5 is preferred to D-open.

There’s a few places like that throughout the music. Wondering if there is a preference when trading off speed/efficiency over tone quality.

I’m continuing to just burn it in at a slow pace and slowly creep up. Good first learning challenge looking forward to achieving.

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You have to remember that most tabs are someone’s interpretation of the bass line and are not necessarily “correct” in an absolute sense. I’d suggest play what works for you. I tend to experiment when learning a new song in terms of where / how to play the line.

Equally, unless you particularly want to be faithful to the original bass line, there is no reason why you shouldn’t simplify it. Most of the time, no one will actually know. I’m currently working on a song that is pretty complex (well, I think it is :wink:) and rather than try to learn it note-by-note, I’m focusing on getting the essence of it.

Regarding speed, I get the basics down at a slower bpm, then gradually increase the bpm, say 5 bpm at a time. When doing this, I’ll tend to use a drum machine, rather than the actual track, as it means I can focus. That said, you can alter the bpm in something like Moises.

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Thank you. Helpful context and framing.
Being a little over 4 months in I’m likely taking tabs too literally.

At the most practical level I want to avoid creating bad habits I need to unlearn later. And I enjoy learning the little nuances in picking a note.

Moises is useful. Another person mentioned it and it’s been a help.

I’ll keep doing the slow build :blush::+1:t2:.
Appreciate your help.

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possibly because it’s easier to go from A5 to E3 than it is D0 to E3 which requires skipping a string which is less efficient.

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If you want to play the open string, do it! Sometimes they sound better. Sometimes they sound much better. Sometimes fretted sounds better. It depends on a lot of factors.

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I love open strings except the G, i generally pick whichever is going to be easier to play because lazy/efficient :sweat_smile:

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All of that, and not/sloppily muting the open d string is going to be way more obvious than the fretted d on the a string.

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I like the sound of an open string too. Just feels a little richer and boomier :grin:

They are much better than fretting for drones and pedaling IMO.

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As long as you play the right notes I suppose it doesn’t matter where you play them, but the pitch of the note will be slightly different. In this specific case I would keep the D on the 5th fret of the A string. It keeps the whole run on the A, and it doesn’t require jumping from open D to E3, which could give you some issues with muting.

It’s all about fluidity. Sometimes I will use an open string if it makes sense, sometimes that one open string gives you time to adjust your fretting hand to get into position. As an example, I’m currently finishing Bullet in the Head by RATM. At the end of the song you play this repeated riff for almost 2 minutes, and it’s tabbed like this everywhere:

G| - - - - - - - - - - - - - - - - - - - - - -
D| - - - - - - - - - - - - - - - - - - - - - -
A|-7-7-7-7-7-5 - - - - - - - - - - - - - -
E|- - - - - - - - -5-6-5-0-3-5-3-0-0-0

It doesn’t make a lot of sense to hit the 5-6-5 on the E, it’s difficult to fret it that way coming from the 5th fret of the A string so I just play the open A instead of E5. Much more fluid that way and a lot easier to play. Experiment with both methods and choose whichever one makes the most sense!

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Pitch should be the same but the timbre will definitely be different yeah!

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Definitely have to up your muting game if you play lots of open strings!

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Thank you @Ant
Appreciate your thoughtful example and suggestions. I’ll keep playing around with it.
The difficulty for me is largely the speed of the song so I’ll keep working it slowly with incremental increases.
Cheers.