That first example is a great example of a jazz bass. That’s kinda the tone I can nearly get if I piss about a lot first. However, that guy’s tone and skill is a metric ton better than mine.
Second one where he plays a very mellow bit towards the end - that’s the exact tone I use for mellow blues.
But then I like to do completely random stuff like On Days Like These by Matt Monro -
I have to admit I was impressed by the MIJ they handed me and more than a little tempted by the color (seriously, Fender does powder/pastel blues, greys and yellows so well). Which was of course the reason they handed it to me and not a bargain bass
I think a Jazz would be good for punchy midrange-dominant soloing. Geddy Lee has had good luck after all. Or, you know, for Jazz
Definitely. I’m reading the Geddy Lee book at the moment. Not good for GAS, but you know, has to be done
I don’t use a pick either, so if I want that twangy sound (like on the Matt Monro song), I’ll just use a Jazz and only turn on the bridge pickup and play right back near the bridge. I guess everyone just has their own thing obviously. God knows what mine is, as it changes every 5 minutes
I guess it’s two things for me - The first is that just using the pure P is warmer and mellower than just using the P Pup on the PJ. PJ nearly get’s there, but my ears tell me otherwise.
The second reason is that sometimes, I just want something completely simple in my hands without having to faff - I know full well that I could turn on my P right now, tone on zero, volume 3 quarters and that’s all I’d need to do to get exactly the sound I want for some mellow stuff. The purity, if you like.
The PJ, I have to sort of zero in for a bit till I get the sound I’m after.