That is really encouraging to hear! Thanks for your kind words.
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Thanks Pam.
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Cheers, I did this one a couple months ago B.S. - I really want to like the Sire - it looks great and I like the tone, but she is not very comfortable to play. It has a hint of neck dive, enough to distract me and I find I’m adjusting it too much for my liking. The issues became even more obvious after I’ve been playing the Sandberg - it’s unfair to compare your kids, I know! Next cover will be with the Ladyhawk!
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Thanks Howard 
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Really liking the Ibanez there. Might pick up an AGB someday here to see if I like the hollow bodies - definitely cheaper than a Gretsch to start with and yours sounds great.
Loved the breakdown at 2:00 
Very sorry to hear this, I hope everything is ok!
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Thanks Jerry 
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Nice! I think with no real kick in place could have really gone for the full upright feel and kept the mix just fine, maybe a little EQ and light compression if needed, there really isn’t a lot floating down in the low end. Sounds awesome though.
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Great job!
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Amazing job @Bassdacious . As has been said if you close your eyes it could easily have been an original recording.
The hollow body sounds great @terb . The cover was presented with your usual “je ne sais quoi”. Outstanding as always
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Nice cover @Bassdacious ,
Tracey Chapman’s stuff is really cool and you did it well,
Cheers Brian
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Fantastic.
Love the song. You played it great. Good fat tone out of that Ibanez, must be the thick Hawaiian air 
No really, it sounded great and looked like a fun baseline to play.
great job.
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I finally got my Motorhead cover done. I humbly present the classic - the Ace of Spades!
This was actually quite a big production for me. I didn’t just bang out a cover on the phone this time. No. Inspired by Pam and John’s cover thread, I actually rehearsed the song, recorded it, produced it a little and then filmed the video. Admittedly I cheated a bit on the video by playing over the recorded backing track Milli Vanilli style but the only rule in this thread is that there are no rules lol.
Keeping the rhythm going at that speed was pretty tough I’ve got to admit. But the real hero of this production, apart from the Rick, was the Okko Motorbass pedal, which is pretty cool on an amp but really sounds sweet through an audio interface.
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I’ve tried to play that so many times and I’ve never been happy with the result. Hats off to you @Ed
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Thanks 
I’m not totally 100% happy with this version but hey Lemmy’s playing was never 100% perfect
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