Been a hot minute since I learnt a tune… so i picked something more or less … easy… the gallop was a bit challenging and trying to maintain it for the whole tune was tricky… As per ALL my vids… I include mistakes.
Two-fer because sometimes after recording/producing a song and recording + editing a video and subsequently uploading it, I’m too lazy to share outside of YouTube
First up
Modern English - I Melt With You
If anyone ever asks me what my favorite song of all time is, this is it, with zero guilt. So many quality memories growing up with this song, even if it’s just a bit “beyond my time”
I have found that in using Moises to pull the bass from original tracks, the mids tend to become a bit… overstated… almost like AI stem separation isn’t perfect sigh that becomes extremely evident on a big jangly track like this, so for this one, I used a dynamic EQ on the backing track, side chained to my bass sum bus, to drop ~300 and 900 hz a couple dB when they’re clashing. In repeated listens since I originally uploaded this, it worked to an extent, but is far from perfect. I think I’ll be significantly more aggressive with this sort of cut, especially on tracks where separation leaves a weird midrange residue.
Secondly-
Glen Campbell - Rhinestone Cowboy
This one comes to you courtesy of the YouTube algorithm. Literally brought my bass to work as I’ve been in a bit of a funk over the last couple weeks with another project I’ve not been able to nail down, so this was a palate cleanse more than anything. Nothing too special here sonically other than the Ray34 with cobalt flats, some warm tube drive and a (hopefully) very tasteful dash of chorus and reverb. The song itself is very straightforward musically, no real tricks going on, but I particularly enjoyed the turnarounds in the chorus. Per usual my pasty self always wants to play fractionally ahead or behind of the rest of the band… But maybe eventually that will evolve into more of a gift than a curse
Hey there, everyone! I had a pretty busy weekend. I played a gig with the cover band opening for a Billy Idol and Depeche Mode Tribute at The Coach House in San Juan Capistrano. The show went well and the owner was pleased enough to want to book us with the Billy Idol tribute in the future AND it looks like we will be opening for The Motels in the Spring!
Someone asked me the same question at the show. I discovered pretty early in life that I am just not a hat person. They never look good on me, which is endlessly disappointing whenever I see a cool hat.
2 new ones, Some Day One Day/Queen and THE LAST JELLYFISH (canon) SONG RUSSIAN HILL!!
Some Day One Day vocals/Queen bass & vocals by Queen
An older song from Queen ][ by Brian May who also sung the verses and the choruses with Freddie, one of Brian’s folkie type songs like ‘39, Long Away, Leavin’ Home Ain’t Easy.
Fairly Easy on bass, but the bass was mixed in with the guitar so it was a little difficult to figure out.
More Queen2: http://tinyurl.com/cararickqueen
More Queen: http://tinyurl.com/cararickqueenii #queen#queenofficial#nightattheopera#freddiemercury#brianmay#johndeacon#rogertaylor#queenii
Russian Hill vocals/Jellyfish bass play along by Cara
At last! The final song on the canonical 2 Jellyfish LPs (there were more songs on the deluxe versions and box set “Joining a Fan Club” but I have now recorded all the officially released songs, most with vocals, like this one. This is a very laid back, restful tune, good for the last one I guess!
More Jellyfish: http://tinyurl.com/cararickjfish #jellyfish#timsmith#rogermanningjr#andysturmer#splitmilk#russianhill#cararickbass #rickenbacker#bassplayer#girlbassist#basstest
I spent the last 6 months playing Grateful Dead songs to get proficient playing with a pick. I’ll be spending the next 4 month working on SKA/Rocksteady/Reggae songs to develop my thumb technique and playing 16th note grooves at tempo with fingers. The one thing I like about the genre is the bass is the hook of the song. https://youtu.be/rrM8ZOXapfw
Cover #2, Mustang Sally by The Commitments on their 2011 Reunion Tour in Dublin, 20 years after their movie. Took a bit of experimenting with OBS and using a small DAC from the amp to the computer to get this set up.
Thank you . you guys here at bassbuzz are just a class above Talkbass and basschat. every post i would cringe and flinch from the attacks on my hair, my clothes, my technique, my song choices, my voice, etc. so thank you it’s appreciated. i dont expect a pat on the head everytihng I do but i do appreicate being taken seriously and CONSTRUCTIVE CRITICISM i know ai dont play 1 finger 1 fret and my tech needs work, that’s a given, i been playing just over 2 years. but when they just say ‘you suck, why would you post this?’ ‘my ears, you sound like a catfight singing’ etc. that’s disheartening. so thank you, it is apreciated.