Show Us Your Basses (Part 1)

I take it you’ve adjusted the pickup height? But still have this issue?

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Welcome to ceramic pickups. The Monster Tone P pickups you have are ceramic, which can run hot compared to alnico. I think lowering them will help, or adjust the volume on the bass or the gain. I have the same thing going on with my DiMarzio ceramic pickups. They sound really good though.

The lack of a cover is okay. 50s P bass pickups all are without covers. It’s the way they were made to begin with.

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I usually prefer good, bright ceramic pickups over alnico. They just fit with the styles I like. I’ll take punchy and mids-focused over softer and warmer on most days.

They get a bad rap because they are cheaper to make and thus a lot of cheap bad pups also tend to be ceramic. But that’s because they happen to be cheap bad pups, not because of the ceramic. I like the ceramic tonal quality better, and high quality ceramic pickups like DiMarzio and SD just sound better to me than alnico. YMMV.

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Ceramics to me sound really good in a mix, they are very present.

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Yeah. Very good fit for a P-bass.

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The pickups cannot go any lower. I feel sorry for the foam under them. :slight_smile:

In all the research I did before buying this bass, I did not notice that. Or I did and didn’t realize what it meant.

Don’t get me wrong, they sound really good. I’m just surprised at how much hotter they are. It’s very noticeable between the P-4 and the B40, both passive basses. When my SDs arrive I’ll put them in, and if it turns out I like the MonsterTone pups better, I’ll put them back. :slight_smile:

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@JustTim I’ve got a couple of Aguilar DCB ceramic soapbar pups on my Jazz-inspired Mayones. They’re hot and sound fantastic.

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Ceramic and alnico magnets can both sound excellent or terrible. The magnet material is just one parameter of the pickup, the goal being to match all parameters to get something interesting at the end.

Actually the split coil design with cover is a '57 design :slight_smile: but yeah, early P pickups did not have any cover, which is pretty bad because the magnets are effectively what ties the pickups parts all together (see the picture : a '57 type half-pickup without its coil). It can be very fragile if you use the pickup as a thumb rest. This issue does not exist with covers, or with a pickup frame made out of one single piece of plastic.

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I had similar few years ago, old violin sunburst. Damn it was good looking brush.

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I have had 2 Harley Bentons. For a that price, they usually are ok.

They may have a license to sell those copies. Not sure though. When cheaper copies are sold, it usually grows busines for the original maker aswell.

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A Di box with Pad switch would fix that problem for you.

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It’s here! Can’t wait to give it a play later tonight
20221222_154104

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Wow! Looks great.

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…splain?

I’m not sure I follow.

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Google dude

https://www.sweetwater.com/insync/di-boxes/

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If this is particular bass is hotter or opposite weaker than the rest of your basses a decent DI box can usually fix that problem. It converts hot instrument level to an easier to live with line level. Here’s a better explanation video.

It’s easier the opposite direction, if your pickups are too weak you can just get a booster pedal and it should solve your problem.

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This arrived today. MGbass Extreman fretless. It is everything I hoped it would be. Plays and feels amazing!


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That’s beautiful, @Adampalooza. Congrats!

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Gorgeous design and woods, @Shibata. :star_struck:

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That plant really ties the corner together.

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