Interesting topic Joe! I had trouble answering, I think because the poll is too general. For example, you could get as specific as a “what’s better” poll between:
Fender USA
Fender MIJ
Fender MIM
Fender made somewhere else too probably
Squier (made not sure where?)
And even then you’d have a hell of a time making generalizations. For example, I like the Squier VM J Bass I play in the videos way more than a Fender MIM J Bass I used to own, and the QC was actually better on the Squier than the Fender… in this one case. (the Fender had sharp frets on the G string side, ouchhhhhh)
And I would put my Fender MIJ '62 Reissue P bass up against any American- (or elsewhere) made P bass for a killer Motown sound…
And another angle of this discussion would be “name brands vs. cheap brands,” which is connected to geography / manufacturing origin too. Is it worth paying ~$250 for a Squier when you can get a similar (or similar-seeming, at least) bass from a China-based company for $80? Lots of variables to consider… time to do some more bass reviews I guess!
I guess what got me started on this was $2,300 price for a Gibson Thunderbird vs $400-700 for the Epiphone version of the same bass. That’s a HUGE difference!
They have “Grover” vs “Clover” tuners; the Epiphone has a bolt on neck (except the highest priced model) vs the through neck, etc. etc. Trying to compare these could be very confusing, especially for newer people.
So . . . are we paying (a lot more) for the Gibson name or are there really significant technical and quality differences between them? . . .
And the debate goes on . . . but the final answer is in the ear and the eye of the beholder.
Going to have to sit this one out… I don’t care for Fender, Gibson, Squire or Epiphone. I’ve seen them way too often and I don’t want to just be one of the masses… I’m vain like that. lol
Give me something unusual, something exotic, anything but the same-ol’ same-ol’ that everybody else plays. Yes, I did just buy an Ibanez Mikro but for the scale length, not for the name, the body shape or that god-awful headstock with the tuners pointing all over the place willy-nilly.
So if it feels good in the hands, sounds good, looks cool and I can afford it… I don’t care who makes it or where. And if I can ever retire and set up a real work shop… I’ll just build them myself.
Based on the good reviews I have seen and the posts from others here that like theirs, I am really looking forward to your impressions of the Mikro
Everyone else more or less made the points I was going to make about the poll. In the end, I don’t think you can really pull off a poll like this outside of the context of specific manufacturers or even specific models. Some of the best Fenders were made in Japan. Some of the best Yamahas are made in Indonesia. Warwick is (currently) making really solid guitars in China. Until you hit the really top tier price points the same is true for most manufacturers - they build where it makes sense for them, and the individual quality varies by make, model and year.
Neat topic for sure, and, congrats @Jazzbass19 for almost completing B2B - probably a bittersweet moment, accomplishing that, but also knowing there are no more lessons ahead!
My vote went to “It’s a global economy, doesn’t matter to me”. Globalization and its effect on consumer goods is such a complex topic. My personal reasoning on buying my first bass was similar to yours, I was so new, didn’t know anything about it, bought a $300 2017 Schecter Stiletto off Craigslist because it looked wicked cool, and had terrific reviews. I got lucky that I really like it, and at the time, knew that it wasn’t a huge investment in something that might have been a passing fancy, or that I just might not like. And my reasoning’s the same now a couple of months later - I’m falling for Ibanez’s SR series at Guitar Center, don’t care so much about the brand/origin/even the quality, just that it feels awesome in my hands!
That being said, surfing Reverb, crap, the most expensive basses/guitars on there are vintage Fenders and Gibsons from the '50s/'60s, some with market prices in the 6 figures (USD). That kind of reputation/nostalgia’s gotta be pushing the brand’s value up, regardless of quality or other factors.
Don’t shoot me, I also play guitar and have been looking for a new one, in the process I’ve learned a bunch about production and quality control.
Initially I was looking at a Fender and had the same issues as with the bass; MiM, MiJ, MiI?! There is one guitar called the Squier Classic Vibe, it’s made in Indonesia and costs about £500. The kicker, in blindfolded reviews experienced guitarists were rating it better than MiM and MiA Fender’s costing 2-3 times more.
Then I did a Korrigan and decided against Fender and started looking at other brands including Chapman guitars which are made in Indonesia. This video sheds a bit of light on the manufacturing / quality control processes (apols for dirtying the forum with guitar shit )…
I ended up going with a £700 Sterling Musicman guitar made in Indonesia and it plays way better than any Fender I played up to £1,500. It even compared well to the MiA full fat Musicman version which costs 3x more.
The short of it… the quality of the bass is down to the specific factory it is made in and the quality control processes. The country it is made in is arbitrary.
Quick question, @Chris: did you have the chance to test-drive all these different guitars, or did you (have to) rely on online reviews and YouTube videos to make your decision?
@joergkutter I got to try some of the Fenders but bought the Sterling blind based on reviews - someone was selling “like new” for a great price on ebay, couldn’t resist taking a punt. Admittedly, I was a bit nervous but turns out there is some reliable info YouTube. If Sterling basses are as good as the guitars I’d definitely be checking them out.
Awesome topic.
I used to work in a guitar shop, and so I got to play all the guitars that came through, tune them up, adjust setups, wank, noodle, etc.
The guitars were all very very very unique. Even the more assembly line Squier products were wildly different instrument to instrument.
In general, there is a clear tier process. The best ingredients and wood selections are selected for the MIA stuff. There isn’t much care in the wood selection for the Squier stuff, but every once in a while you’d get super lucky and get a killer instrument.
The pricing makes sense in a general way. But - with all instruments - you GOTTA PLAY 'EM!!
I almost bought a $4500 '65 P-Bass from a shop in Colorado when I was on tour. But then I remembered that I didn’t have any money.
So I didn’t get it.
I bought a 50’s reissue P-Bass (MIM) for under $1000. I love it. I bring it to every gig and session and it sounds killer.
My J-bass is a modded MIJ Jaguar. I got it when I worked at the music store and played every single J-bass that came through for years. This one had the neck and vibe and weight that felt perfect for me.
So.
My conclusion -
The tiered pricing makes sense, and you are getting more for your money as you move up the Instrument Label / Made-In-Wherever food chain.
But!
It won’t guarantee a better instrument for you, and the only solution is to know your budget, and put in the time to play tons of instruments so that you know the difference.
Even within major manufacturers, there are runs of “good” years and “bad” years, and exceptions abound. For example, Fender instruments in the 1970-somethings are generally regarded as inferior, because CBS was trying to “maximize profits.” Nevertheless, within those years are instruments that are stellar, but a lot are just meh. Conversely, in the “good” years you can get a clunker. Maybe the guy running the fret press had a bad day, and every neck he touched that day is dreck.
All that stuff is true today, except manufacturing methods are more automated than ever, so consistency is better, so there are fewer “meh” instruments in the stores. Fender USA in Corona, California and Fender Mexico in Ensenada have the same machines. My former teacher (who’s even older then me!) told me that trucks go back and forth between the two factories every day, carrying parts that the other needs. Like if Corona needs some particular bodies, it’ll tell Ensenada to send them a bunch.
Even a lot of the cheap stuff is well made, because of computer-controlled machinery and manufacturing techniques. That allows the factories to pump out a lot of guitars quickly. The savings there might be in junky hardware and low-quality electronics and woods. But it’s put together nicely, and these days, buying a “beginner” guitar usually gets you something a lot more playable compared to back when I first started in the 60s.
In the end, ya gotta do what @Gio says above, and try LOTS of different ones before buying. Even if you don’t live close to a place with a good selection. In that case, can you arrange to, say, drive there in time to spend several hours trying basses before needing to go back home? And if you don’t find “The One” on that trip, can you do it again the next week? And don’t do like I did 20-some years ago and fall for a pretty face, the way I did with aGibson Les Paul one day. Worst guitar I ever had. We divorced in less than a year. So I’ve had good and bad USA-made stuff and good and less-good Mexican- and Asia-made stuff.
I believe that technology has narrowed the gap between the American made Fender and the ones made out of the USA. Things like CNC machines, which Fender uses in Mexico, has made those products very consistent as far as shape. It also helps with fit. Now when it comes to pickups, it would be hard to understand why machine made wouldn’t be more consistent than hand made. We just bought my Granddaughter a MIM Mustang PJ and I was very impressed by the quality and tone. No doubt the USA product is outstanding, if you have the money, if not the MIM is very good.
Based on my own experience, and with feedback from those that know better than I, would be that sometimes you get lucky with an instrument made elsewhere when comparing it to a USA made. I have a made in Mexico 1993 Fender Strat that, as I’ve been told by a few guys that play American Strats, I got a really good guitar that plays/feels as good as or better than theirs with great tone, even with the lesser quality pick-ups. I gave it to my daughter when she started taking lessons and her teacher, who has American Strats of various ages, was very impressed with it. So I guess if the particular instrument feels and sounds good when you pick it up and play it it doesn’t really matter where its made.
I’m what you guys would call a “pawn shop player”. I no longer look at the name on the headstock, or the pups or hardware for that matter. It’s genuinely down to “if it feels good.”
What exists now is an after sales heaven of pups and parts of amazing quality at a great price. You can put together a “custom” bass/guitar with class parts for a lot less $ than Fender/Gibson.
You’ve all made some really good points here, folks . . .
As an ex-analyst, I’m into graphs and charts, etc. so I thought I’d try a poll on this forum. After further thought, I realize it is somewhat difficult to answer because it’s a little too general, and for that I apologize.
IMHO, I would submit that @Chris summed it up best with this remark:
Thank you all so much for your votes and for your input, and I promise I’ll try to come up with better polls in the future . . .
I think it all comes down to the individual instrument. I have a Harley Benton jazz bass that, to my ear, sounds as good as my MIM jazz bass. On the other hand I’ve played a Fender American Performer that put both to shame. I say let your ears decide.
Country of origin doesn’t matter much. The factory of origin is what matters. Every country has skilled luthiers in it. Just a matter of what factory they work in, what materials they use in that factory, how well they train their staff, their quality control, etc.
Sure, Japan, Germany, and USA might have higher quality on average, but they can make some lemons as well. You just won’t see many (if any) lemons from the top factories.
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