Billie Jean from Mod 4. Yes! I know I shouldn’t but I hate being so utterly beaten. So I worked it into my warm up. I start really slowww (50bpm) and work up. I’m up to medium workout speed and it’s improving a bit each time.
G-A-B-C-D-E and back a few times
A few bars of Midnight Oil’s Beds are Burning - fast single string chugging to get the right hand moving.
Peaches - that iconic Jean-Jacques Burnell bass riff, why - it’s easy to make it sound OK and it makes me feel good before facing today’s challenge from Josh.
I worked through learning major and minor scales through the different modes as my warm up while doing b2b. For sone reason, I thought we’d use the different scale shapes more than we do. I still play through the different shapes going up the fretboard first when I pick up a bass in a shop.
I usually warm up by noodling around on the major and minor scales at various points on the neck. I’ve finished B2B but when I was going through it, I would also play the last couple of exercises, too. Now I usually play parts of whatever songs I’ve been working on recently.
I am an open chord strummer of acoustic 6 string BUT new to the Bass! Just completed Module 2. My warm up is an Intro to “Smoke on The Water” : 0-3-5 ; 0-3-6-5 ; 0-3-5-3-0……I do it a couple of times on each of the strings.
Thinking a little about this, I have a few lines I like to ‘noodle’ which you could call a warmup.
Namely the intro to NIB and bassline for Don’t Go To Strangers (JJ Cale).
They serve both to warm up the fingers and to help adjust tone etc.
I use them when playing with pedal settings also, possibly because I know how I expect them to sound.