Gary Willis is a BadAss. Funky plugging hands too. Very difficult to do because I can’t change, 
but the right hand muting theory is just solid.
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That Duesenberg is really pretty.
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a bass with tubes in it.
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You’re killing me!!
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Oh my. Now that’s different … and fabulous.
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Quick update on this. My colleague got his Rickenbacker properly set up … and I still didn’t like it, to me, it just felt ‘clunky’.
We did back to back with my Dingwall Combustion. Both are 4-srings, both are set up with a low action, both in the same price range. The Dingwall is just far easier to play, far more “fluid”, if I can use that word to describe a bass. Even my colleague, and remember within the last month or so, he has dropped €$£ on the Rick, was forced to concede that the Dingwall was better to play, “Ooh, this is nice.”
I’m not saying the Dingwall is the be all and end all, nor am I saying you have to spend fortune - I love playing my Steinberger, which is a far cheaper bass, and I’m pondering a £200 / £250 semi acoustic (if I can get this past my CEO/CFO/Ops Director/conscience, aka, my wife)…
…but yes…
…well, no. A Rick wouldn’t be on my list.
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when I was a kid I had a Ricky that I later sold. not too long ago I played one again for the first time in decades. and I hated it. the necks are really old school, wide and flat. if I wanted to get one, I would look really hard at a baum nidhogg instead. similarly I would look at a droc or similar instead of a t-bird.
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sad. i haven’t played one but i’ve heard plenty of horror stories.
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they’re great basses, just not for everybody. (like every bass i guess). definitely try one if you get the chance.
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My understanding is that the term can now be applied to anybody and anything. As long as your bass is happy and included, that’s all that matters.
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I’ve been drooling over the Kubicki Factor basses lately. I saw sBL review one, then my YouTube feed was awash with similar, and I have to say that I think I love the engineering/technical side of it more than the sound. I’ve looked at prices and they are definitely out of my league, but I’m making a mental note about the capo arrangement on the head, for use on a future project build.
Not sure if anybody has shared one in this group, but this is what it can look like.
Futuristic looks - even now!
Capo that drops to low D but can still be fretted like the E string.
I believe it is 34 layers of wood laminate to make what must be the most rigid neck on earth.
The bridge is a piece of engineering genius - and beautiful!
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I think I posted about these basses three or four months ago on this thread. They look freakin’ amazing and I love the approach to the drop D. Along with the Steinberger, I think these were one of the iconic basses of the 80s. Played by many, including John Taylor of Duran2.
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Indeed. I probably felt they were a bit gimmicky, but they serve a purpose and deliver a sound. It’s just not the sound I want from my bass. I’m still more of a thump than a twang sort of guy.
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I really shouldn’t be looking, but this popped up while I was looking for images of Kubicki. This is a rabbit hole that I (fortunately) don’t have the money to go down.
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Yep, I had a new Rick. It had beautiful fit and finish, but the feel…
I never gelled with it. It felt weird to me. So it went the way of the wild goose, and all was better.
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futuristic, i gotz your futuristic riiiite here. manring’s hyperbass with the millions of detuners on it 
http://www.zonguitars.com/zonguitars/hyperbass.html
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Newer and vintage Rickys have totally different necks. I hated the newer 4003 necks and fell in love with my 72’s neck.
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Yep, I had a new 1974 Rick. It wasn’t just the neck that I didn’t gel with, though. But every player has his/her own prefs.
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