Strings are at least one thing that barely interests me. I still havenāt gotten around to putting on the strings i bought a year ago . Pickups too, i bought pickups for my strat Feb 2020 and havenāt installed them yet
Just went through this yesterday. Not sure if you know this but the Mustang basses had two different styles of bridge. LaBella builds a specific flat string for both, give them a call to make sure you get the right string for your application if you choose LaBellaās.
I have tried flats two times in the last five or so years, and couldnāt come to terms with the feel of them (not a sound issue!!). Despite what would seem intuitive, to me they feel more grippy than rounds. I know that a few here (e.g., @howard) share that sentiment, while others donāt. So, yeah, YMMV, as they say!
I find the tactile sensation of touching and plucking rounds just more āpleasantā, for lack of a better word. Itās more a feel thing than a sound thing, reallyā¦
Somewhere in between flats and rounds are āhalf roundsā, but they feel neither here nor there to me and I have only tried them once.
The upside of flats is the deadened tone and reduced finger noise. The immediate downside of flats to me is the deadened tone and reduced finger noise. I like brightness in my tone.
I like flats on some songs but in general Iād stick with rounds.
The curve ball is the Tapewound /Nylon wound strings. 2 big favorite brands are the La Bella and DāAddario they offer excellent tone in a bit different feel. The La Bella tapewound feels like and upgrade or shall I say hybrid between flats and round tone and feel. You still get the firm plasticky feel.
The DāAddario Tapewound to me feels like a smooth rubberized string, so awesome. Slightly more mid but awesome.
Hereās the sample of the La Bella Tapewound White gold.
And hereās the mix of the DāAddario Tapewound on both basses on 34ā scale and another 30ā scale on short scale. The electric Upright has flats on.
Yeah, they already sound kind of dead out of the box in comparison to rounds, so thereās no urgent need to change them like there is with rounds as they deaden. Flats just ease more in to their flats niche over time.
Flats are different than rounds, by design. However, not all flats are created equal.
I had DāA Chrome flats and they didnāt do it for me. They sounded much brighter than traditional flats, such as La Bellas. But they just didnāt have much character to my taste; just kinda meh.
I got some TI Jazz Flats and then things were right. Theyāre definitely not vintage-y, but I wasnāt after that sound. They are bright for flats, and by no stretch of the imagination do they remotely sound like dead rounds.
Their tone is round and punchy, more of a modern tone than Jamesonās, for sure. Iād classify them as Contemporary Flats, if you will.
Yeah. The reason I would consider the splurge on the T-I flats is that these (in my limited research) seem to the the ones closest to what I would like, and if I DID like them, would keep them more or less permanently so itās kind of one-and-done.
I would never, under any circumstances, UNLESS it was for a live show that paid a lot, consider going with $90 rounds. Three packs of my $30 NYXL rounds favorites would be a far better investment.
I have Chromes on my TRBX174, when i put them on, they were brighter than the rounds that I took off. Theyāre about 3 years old now, i donāt play that bass much but itās not a really inspiring sound, theyāre pretty 1 dimensional.
I think it depends on how moist you areā¦ i have pretty dry skin and itās never been a problem for me but i also donāt get bothered by a lot of things that others do