Flat wound vs round wound strings

Just to revisit this, I have 2 sets of these and I think they are very good strings.

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Strings are at least one thing that barely interests me. I still havenā€™t gotten around to putting on the strings i bought a year ago :laughing:. Pickups too, i bought pickups for my strat Feb 2020 and havenā€™t installed them yet :joy:

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Thatā€™s actually HOW i get almost all my strings :sweat_smile:

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Just went through this yesterday. Not sure if you know this but the Mustang basses had two different styles of bridge. LaBella builds a specific flat string for both, give them a call to make sure you get the right string for your application if you choose LaBellaā€™s.

Iā€™ve never tried flats, but I think I should. Tell me more about the FEEL.

Like emotionally or tactile?

They feel smooth to me, quieter when fretting / sliding etc and after 3 years on flats I wonā€™t go back to rounds. YMMV.

You can buy a cheap set for $30 or so to give it a go.

https://www.sweetwater.com/store/detail/073-9050-405--fender-9050ml-stainless-steel-flatwound-bass-strings-050-100-medium-light

I like GHS Precision flats. Had the same set on my P bass for 3 years

Lots of options out there.

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I have tried flats two times in the last five or so years, and couldnā€™t come to terms with the feel of them (not a sound issue!!). Despite what would seem intuitive, to me they feel more grippy than rounds. I know that a few here (e.g., @howard) share that sentiment, while others donā€™t. So, yeah, YMMV, as they say!

I find the tactile sensation of touching and plucking rounds just more ā€œpleasantā€, for lack of a better word. Itā€™s more a feel thing than a sound thing, reallyā€¦

Somewhere in between flats and rounds are ā€œhalf roundsā€, but they feel neither here nor there to me and I have only tried them once.

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Yeah flats feel grippy and borderline unpleasant to me. Donā€™t like the ones I played.

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Thanks for that feedback guys. Definitely tactile feel Iā€™m interested in @Barney. Iā€™m not deep!

The luthier who made my SS recommends Dā€™Addario Chromes flats ECB-82 50-105. Guess Iā€™ll just have to try them and see for myself!

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The upside of flats is the deadened tone and reduced finger noise. The immediate downside of flats to me is the deadened tone and reduced finger noise. I like brightness in my tone.

I like flats on some songs but in general Iā€™d stick with rounds.

The curve ball is the Tapewound /Nylon wound strings. 2 big favorite brands are the La Bella and Dā€™Addario they offer excellent tone in a bit different feel. The La Bella tapewound feels like and upgrade or shall I say hybrid between flats and round tone and feel. You still get the firm plasticky feel.

The Dā€™Addario Tapewound to me feels like a smooth rubberized string, so awesome. Slightly more mid but awesome.

Hereā€™s the sample of the La Bella Tapewound White gold.

And hereā€™s the mix of the Dā€™Addario Tapewound on both basses on 34ā€ scale and another 30ā€ scale on short scale. The electric Upright has flats on.

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Smoother feel and less fret and finger noise but not dead sounding?

Try GHS Pressurewounds.

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Just saw this in the When To Change Your Strings thread:

Which also works great for me! :upside_down_face:

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Yeah, they already sound kind of dead out of the box in comparison to rounds, so thereā€™s no urgent need to change them like there is with rounds as they deaden. Flats just ease more in to their flats niche over time.

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Flats are different than rounds, by design. However, not all flats are created equal.

I had Dā€™A Chrome flats and they didnā€™t do it for me. They sounded much brighter than traditional flats, such as La Bellas. But they just didnā€™t have much character to my taste; just kinda meh.

I got some TI Jazz Flats and then things were right. Theyā€™re definitely not vintage-y, but I wasnā€™t after that sound. They are bright for flats, and by no stretch of the imagination do they remotely sound like dead rounds. :joy:

Their tone is round and punchy, more of a modern tone than Jamesonā€™s, for sure. Iā€™d classify them as Contemporary Flats, if you will.

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Yeah those sound like they are really good and if I ever try flats again I might splurge for them.

Hereā€™s the example of expensive strings.
TI jazz flats $130
TI Jazz rounds $90
Dogsl 23ā€ scale 5 string $140
All with tax included

I love the extra bite that Thomastik Infeld offers on both flats and rounds. And, No they donā€™t sound like regular flats.

I also love the Fender strings that came with the Mustang.

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Yeah. The reason I would consider the splurge on the T-I flats is that these (in my limited research) seem to the the ones closest to what I would like, and if I DID like them, would keep them more or less permanently so itā€™s kind of one-and-done.

I would never, under any circumstances, UNLESS it was for a live show that paid a lot, consider going with $90 rounds. Three packs of my $30 NYXL rounds favorites would be a far better investment.

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I have Chromes on my TRBX174, when i put them on, they were brighter than the rounds that I took off. Theyā€™re about 3 years old now, i donā€™t play that bass much but itā€™s not a really inspiring sound, theyā€™re pretty 1 dimensional.

I think it depends on how moist you areā€¦ i have pretty dry skin and itā€™s never been a problem for me but i also donā€™t get bothered by a lot of things that others do :slightly_smiling_face:

Hmm. Now I might try these too. Brighter than dead rounds is a good start for flats.