Higher end audio interfaces also will have digital mixers built in. My Audient EVO 16 is also a 24 in/24 out mixer with 8 of those being Mic/Instr/Line inputs and Line Outs (and the rest being digital via optical cable).
Unfortunately Audient’s mixer software is not super great though.
Would all of those outs be TRS to XLR (I don’t know a ton about TRS stuff)? I’m just trying to think of what the easiest way for a band, all using the Xvive type of IEM packs would go about hooking in to those aux outs.
Yes those line outs are all balanced.
For a band, you want a mixer made for the live purpose as the UI for it will be better - but just saying there’s other options if you just need a mixer for home use (like if you start adding hardware synths which will each have 2 audio outs, which is why I have this interface).
Anybody tried the Blumes by Earthquaker Devices?
I had a Plumes before that I really liked, but it was missing something. Hopefully the Blumes takes care of that.
Its really a bass TS with a little extra, but I think I will like it.
I started building up my compressor supply again.
Got a great deal on my favorite Tube compressor, The Markbass Compressore for $100 shipped from reverb.
I couldn’t find that little SanJune optical anywhere so I got the closest copy I could find, A Joyo Scylla. Ad far as I can tell it does the trick the San June did and will be my always on Comp. Got it for $40 shipped on Reverb.
Now I will either get another Keeley or go wait for a good deal on an Empress (which I have never tried, but really want to).
Next thing after my financial aid for school kicks in is a new MacBook. After I get that I will be almost back to where I was as far as home recording goes.
I’m wanting some more bite on my PJ bass, which currently has LaBella Deep Talkin flats. Is there a happy medium between flat thump and round bright?
Yes. Two basses, one with each and tone knobs 
or old dead rounds.
Seriously though, beginners shy away from rounds and bright as it shows mistakes more readily. Use tone and such to tame but learn to love both rounds and flat. They are both glorious in their own way
Two suggestions.
D’Addario Half Rounds
GHS Brite Flats
Might be Korean. I just looked it up and apparently the Korean models have Tribute on the headstock. The Indonesian ones do not
I have one. It’s got lots of possibilities for sound shaping 
You’ve probably looked at some videos already, but I’ll post these anyway 
I could have worded that better. I was/am keeping an eye on a couple different L2000s, with one being an older, Korean Tribute model, and the other being a newer, Indonesian Tribute model. Around the same price, but the Korean one is more. Was wondering if anyone that was big into the G&Ls and their history had insight as to whether it’s better to go for the Korean one vs the Indonesian one. I know both countries typically put out some decent gear and it’s kind of up to the brand on how much time and effort to put into QA, etc.
Ah my mistake. I can’t speak to the Korean ones but I’ve got a Cort Modern GB4 and my l-2000 Tribute from the same factory. The workmanship is flawless as far as I can tell.
We are talking about body and neck build only from both place. Both are quite awesome quality. Korean being first then it’s the “Launch Edition” there’re some kinks to work out but that’s address here at the Fullerton Factory where all Tribute series were assembled. The Last mile was the most expensive.
Both Korean and Indo were built by Cor-Tek, then the New factory was build in Indo and the line was move there. Korean built was getting pricey and Indo was much cheaper. Everything else is pretty much the same, what wood available at the time, etc. As for the Hardware, it’s the same as the US model including the Pickups.
The differences were only in the CLF models where they offer a bit better hardware like tuners and better Electronics, while offered similar if not same functions but better quality of life convenient.
It’s more of a “What” and not “Where”. If you get a Maple/ Rosewood combo it’s better than Maple/ Pau Ferro or Indian Laurel.
I have a couple of Fullerton and a couple of CLF as well as the Tribute, tone wise they are pretty much the same. The guys and gals who worked there in Fullerton were just top notch.
Yep Cort makes the Tributes for G&L and they are really nice instruments. Cort makes great stuff.
Hey, thanks @Krescht. I am sold, gonna move on it 
Like I sId, the Plumes was almost perfect, so I like the possibilities this one offers.
Yeah dude, I know, I have rounds on my other two. I’m not really sure why you’re talking about shying away from mistakes when I’m asking if there’s a way to get the PJ a little brighter.
Worth taking a look at, thank you!
Haha, that was an instant classic.
Sorry missed that. My bad. All good
Well, I’ve now gotten to the point where I wanted to buy a guitar amp. Using the Katana Go or my TONEX pedal with my Bass amp, weren’t cutting it. The go is extremely impressive and really makes the tones of my guitar sound great, however, I’m missing that nice crisp crystal Lee high-end with the TONEX and my Phil Jones space amp in the apartment. The TONEX works better with my Brigantino rig at home, which is where it’s going to get moved to.
So I did a lot of research over the past week and decided that my heart was set on a tube amp, offender tube amp, and either a Reverb deluxe or a Princeton, Princeton being less power a little better for home practice, but still not great if I really wanted to get the tones out of it without adding an attenuator. This got pretty pricey very quickly for a guy. They can barely play four chords and really struggled in the beta of guitar buzz. I’m going back through and redoing the finish course which is light years better formatted and really enjoy enjoying what Alex and Josh did.
So I went to guitar center to play the Princeton amp and I discovered that two bumps are great, and a whole lot of money and I’m not 1000% sure that I know what my actual tone wants to be.
Then on a hoot, I plugged into a boss katana 100w gen 3 amp I was in a matter of minutes I was buying it. Yeah it’s a lot of power. I don’t need, but maybe one day I do, but it has a half power switch and a .5 W switch the throttle the power back for home, practice, between that and all the effects and settings it has, and the fact that it was about a quarter of the price of the tube amp and attenuator made it very attractive. I honestly have no idea how they can sell this thing for 450 bucks, and as our good pal. @barney always says, it’s a great time to be alive. Setting it up tonight and doing my lessons through it for the first time very excited. I really love the boss katana line, they’re all amazing products.
