Hi. I am still new to bass. So please be gentle on me
Some bass are specifically good for slapping, i.e Musicman Stingray.
I am wondering if there are any bass that are specifically good for tapping? I noticed on youtube many Dingwall bass players use it for tapping. Like these guys for example:
Is it true that there are basses like Dingwalls that made it easier for players to do tapping or to get a bass for tapping is a matter of configuration? Wdyt folks?
I think youâll find action and space between strings are key points. My Ibanez Gio has a wider neck than my Squier Jaguarâs jazz neck, so I find tapping easier despite my Jag being set up with a lower action for slapping.
Thanks @chordsykat . I didnât think that space between strings is one of the consideration. For tapping, should I find a bass that has closer string gap OR further ? Your Ibanez Gio, what is the gap between the strings?
I donât slap yet, but every review I have seen of the ESP GB 4 says its a slap monster. It has a push/pull volume knob that has an EQ preset specifically for slap
Unless your action is very low already, youâre looking to get that string to strike the fret, so youâll want to veer lower. If itâs already lowered, your attack might need adjusting. A good sound off of a tapped string comes from a swift and solid strike followed by a pull-off thatâs moving slightly upwards. I forget who but I think itâs âBecome a Bassist Lukeâ who recommends two fingers overlayed ontop of one another for that extra strength.
My Ibanez is stock(!) and not in this studio where I currently am, so I am afraid I canât report how low itâs set. A buddy has said that if your bass strings are higher off the fingerboard than the width of a pencil, then theyâre too high for slap. Thatâs a good place to start. My Jagâs are lower still. Eyeballing it, about 3/4 of a pencil could slide under there, Iâd say, haha!
If I had to give a very short answer, Iâd just say âno.â You can tap pretty much anything. Itâs much more the player than the gear.
BUT for a slightly longer answer - it depends on what youâre trying to tap! You might want:
a 24 fret neck so you can tap more notes
roundwounds (very likely) so you get enough zing
more than 4 strings if youâre crazy
Action-wise, I donât think super super low is necessarily the way to go - the volume you get from tapping comes largely from the velocity of the string colliding with the fret, so if it doesnât have room to travel, itâs hard to get much juice, in my experience. I like a more âmedium-lowâ, like a 3mm-ish clearance from E string to 12th fret wire.
But also, you can tap with lower or higher action - again, itâs mostly about the player and the technique. Although even Billy Sheehan wouldnât sound so great tapping on my P bass with super high action and dead-ass 10 year old La Bella flatwounds and the tone knob rolled down.
Very interesting. @jpartogi â I was âin townâ and had a look at my Gio and itâs absolutely higher than my Jaguarâs setup. But since youâd piqued my curiosity, I tried a few taps and I definitely like the sound it produces as well as the feel, better than my Jaguar. Special note that my Jaguar is the single HB model with a humbucker set so low on the body it might as well be in another room, so it could be the pickups that I donât prefer for this technique (the Gio is a typical PJ).
Oh â I also have the Gio in drop-d right now for some reason, which I totally forgot I did until I picked it up today. So thereâs that.
The thing that has thrown me off trying to tap is it sounds way different on the bass while youâre doing it than whatâs getting recorded or amped. So clanky