As an example the closest I have found is something like the M-Audio Keystation 49 which is relatively cheap, but is 3 octaves and larger than I wanted. Chopping an octave off that thing at a $40-50 price point would be pretty close to what I want.
I figured someone here would probably have a direct recommendation so I thought I’d just ask
Aah, I see. Yeah, mini keys doesn’t sound fun to me either.
I think you’re gonna have a hard time finding what you want for less than $80-100, in that case.
Plus, you can use those trigger pads to hit vocal samples of useful phrases you might need while practicing:
“I’m busy right now, can I talk to you in ten minutes?”
“I’m sorry [insert family member], I’ll turn down my amp”
“Yes, I’ll come to dinner soon”
@howard I am in the same boat looking for the appropriate Midi keyboard.
Although this is two years later the M-Audio Keystation 49 MK3 is a 4 octave Midi controller and looks like the best bang for the buck.
I would appreciate any input, or suggestions, from the forum before I make the purchase.
@howard Did you ever purchaase a Midi keyboard? If so, which one and your thoughts.
M-Audio has a good reputation for lower priced gear, and I love the control options on that one (much better than my V49). Full size keys too. Looks like a winner, but I have no experience with them so can’t say for sure - that’s going on features alone and M-Audio being generally well regarded for entry level gear.
One turned up used at a good price, and I like Alesis as a brand. So checked the reviews, they were good, and it ticked all my boxes, so made the choice.
I have an Akai Mini MKIII and I have no complaints. If I was gonna buy a full-sized controller tomorrow, though, that Alesis would be on my list. Sweet.
I personally prefer Novation and Akai controllers. Novation because of ridiculously tight integration with Ableton and Akai key beds were always a bit better than their competitors in their price range. I used to have M-Audio Oxygen and the keys on that thing were like a jelly. :X
Yeah, the triumvirate of NI, Novation and Arturia made my head hurt when deciding for a new master keyboard a few months back.
Kontrol by NI is neat for Komplete nerds. I have only the Standard edition and tbh. I am not using it outside of Maschine anyways. But for NI maniac without Maschine? And Fatar keybeds are awesome!
Arturia is the most universal and as always Arturia delivers well built controller with a huge array of DAWs supported. The Analog Lab soft alone is worth a purchase of cheaper Arturia controller.
Novation SL MK3. Definitely the worst keybed. Tight Ableton integration. And onboard poly sequencer, arp etc. . Available only in max 61 keys version. But it’s possible to sequence a whole track without a pc even connected. My winner.
… And IMHO this is how a person should decide on a controller. There’s a decent standard of functions available on every controller nowadays. Just sum up your needs and desires and then pick one that is acceptable for your wallet. Alesis, M-Audio, Arturia … controllers are one of those things where paying more is absolutely intertwined with the amount of nonsense one comes with when thinking about his future controller.
I was offered the M-Audio Oxygen 49Key MKV with M-Audio sustain pedal for $100 new, which is about 1/2 price, so I decided to pull the trigger on that.
This is my only cost to date and the only other thing I may do is update MuseScore to Crescendo for the software once I know what the additional advantages over MuseScore are.
I just pray this is not a rabbit hole I am going down with transcribing
I have an Yamaha electronic sax (for hotel work travel practice) which is essentially a MIDI controller.
I have a 6-switch MIDI foot switch which I use to control Stop/Play/Record in Abelton when standing across the room.
I have a 2-switch MIDI foot switch that sends commands to my C4 Synth to cycle through the 128 onboard memory slots of synth patches.
Hmm, I guess I fell in the MIDI rabbit hole after all……crap.
Quite a bizarre statement really, equivalent to saying “I have no interest in using a large class of instruments.” There’s a whole lot of virtual instruments out there, and they are all controlled by MIDI
MIDI is just a protocol. It would be kind of like saying “I don’t do TCP/IP, traditionally.”