Very nice @howard. Your singing is fine for this genre. I enjoyed listening to the entire song and all the instruments mixed together.
Thanks @PamPurrs! Glad you liked it!
My voice still has a long way to go - that track is leaning on Melodyne for some pitch correcting (though not as much as I expected!)
Vocals are terrifying
very impressive @howard , I love your full-covers. itâs very well made.
special congrats for your vocals, thatâs something Iâve always been afraid of !
Faarrrrrrrr⊠Ooooouttt⊠Maaaaaannn⊠Dig ItâŠ!!!..
That Lava Lamp visual combined with the instruments and the tones in your vocals were not only mesmerizing, but kinda brought me back to a time of long hair, bell bottoms, sandals, Boones Farm, and Zig-Zag wrappers⊠Still got the long hair, sandals, and Zig-Zags thoughâŠ
Your mixing abilities are impressive. I listened a few times in order to focus on each instrument and each seemed to help support the other in the mix. The vocals of course being the tie that binds each of the instruments, created a somewhat âmysteriousâ aura that the visual effects fed intoâŠ
Great job @howard! Dig it!! Now where in the hell are them damn Zig-Zags??..
Lanny
Lanny, Laurent, thanks for the kind words, I especially appreciate it coming from you two
Thanks Pam!!
Thanks Lester, Connie is also a big fan and that is one of her favorites from Lady A. A fun song to play too.
Thanks Brian⊠Iâm getting more and more comfortable playing on the P, but will certainly use my Ibbby to do those really fast hittingâ rock songsâŠ
Thanks Joerg! Same advise my bass mentor gave⊠âPlay it like you OWN IT!!â
Thanks Laurent⊠I knew for a fact that you would pick up on just that!! I wanted some âDirtâ in the tone for that song however, during the âIntroâ section, it was a bit too âDirtyâ but thatâs where my controls were at when I began recording. I really meant to turn down the tone a bit and play the intro and first verse, and then during the short two beat (no bass) part just before the chorus kicked in, reach down and turn it back up⊠As you can see, that never happened, and I didnât want to do another recording⊠I suppose THIS is where a pedal or two would come in handyâŠ
Thanks Howard⊠Iâm learning that in order to lock in and stay in the groove that I have to totally forget that I am recording both audio and video tracks at the same time. Once my mind if fully engulfed in the song, and focused fully on that kick, I donât think of anything else.
Thanks Mac - One of those songs that a person just canât help âRockinâ Outâ to when playing it⊠Even though itâs only 4 notes - D, C, F, & G, I suppose itâs all in how theyâre played - and as I mentioned, I musta played those 4 notes a hundred different ways and each time the song sounded different.
Thanks Joe!!
Couldnât agree more Jerry⊠I use to play a lot of Country when I played guitar, and itâs the genre that my wife enjoys listening to the most. She was really excited to hear this one⊠Also, this song was a very good learning tool for me - not to mention it is one helluva song to play bass to!!
Cool as penguin p*ss @howard
Took me back to that moment in time totally and on top of the instrumental bit having the stones to add vocals,hats off the you sir
Thanks Mac!
Sorry, been off the grid for most of yesterdayâŠ
Very nicely played, mixed and produced, Howard - you almost donât need your friend on lead there
About those vocals: yeah, that takes some stones, so kudos alone for that! And, as someone already said, I think they work very well in the context of this type of music! I am curious as to how you recorded the vocals. Not so much the exact technical details, but more how you would gauge your âinput levelâ? What I mean is how loudly did you sing when you sang? When I try stuff like this, and even though I know the neighbors canât hear me, I am holding back a lot (instinctively? for fear of embarrassing myself!?). To the point where it becomes a Lou Reed type of whisper. For good vocals, I feel youâd need to dare sing at a fairly high level, like you really mean it, which makes the singing more âfreeâ, while the opposite makes it feel restricted. At least, that is my own experience. Iâd be curious to hear how you felt about that!?
Also, how did you âplayâ the drums? Was that with your fingers on pads?? I am always struggling how to get drums into my recordings that sound ârealâ and with the fills and ornaments that I would play. Sure, GarageBand has very sophisticated algorithms for the drums now, but they still do what the algorithm thinks and not necessarily what I would do.
So, if I had to nit-pick (and this is at a super nit-picky level), there is something not quite working (to my ears), when the drums enter for the first time just after the bass⊠it is hard to pinpoint, but something rhythmically is clashing there ever so slightly⊠but, as soon as the groove is established, this all goes away!
And nice visuals to go along with the song!
Great job Howard @howard, I have never heard the song before.
Your vocals IMO started like a conversation but progressed to blend and be more relaxed and really fitted in with the music.
Your bass,keys,rhythm and the lead really worked well.
The video you used/made really fitted nicely to the recording, I watched and listened 3 times to be sure I captured every component and I will be honest, I really liked what you have put up, itâs easy to listen to, mixed nicely and very smooth.
Can you let me know when you release your first album, very relaxing
Cheers Brian
Very NiceâŠ! Merry Christmas to All and to All a Good NightâŠ!
Very nice production and mixing of all the tracks. Vocals were just fine. I enjoyed it!
Thanks Brian, Jerry, Jörg!
This was (and still is) a challenge. I was far too timid when starting and my friendâs feedback was to try not to be cautious, wait for the neighbors to be gone, and just âlet it go.â While I didnât quite get all the way there, what I ended up with there is much less cautious and restrained than the first few takes were. Itâs hard.
One piece of advice I would have is: donât skimp on the mic. Its sensitivity matters a lot. I tried starting with a Behringer and instantly regretted it, returned it immediately. Iâm on a Shure PGA-58 now and itâs much better; even so, I regret not simply going straight to a SM-58, and probably will sooner or later. They arenât that expensive and are great.
Also, I am not as good with pitch as the vocals imply. I wasnât too far off, or at least as far as I thought I would be, but I definitely fixed the pitch up with Melodyne. Iâll be leaning on Melodyne for a while. The nice thing is I was close enough that itâs not obviously auto-tuned.
Sometimes I will use the pads and then quantize/fix it when I am figuring out a riff, but Iâve done so much MIDI tracking over the years that really usually I just enter the drums in a MIDI sequencer by drawing the beats, and then âhumanizeâ the timing/impact velocity/etc. All MIDI sequencers will have a humanizing function that de-quantizes the notes a little to make them sound not robotic.
This is the last piece I am doing using my Zoom drum machine as the MIDI target though; I found a much better plugin. Already sold the thing.
GAH, youâre right. They are on 16th beats when they should be a triplet in the final beat instead. Must be the drummer in you
Exactly - this is really tough! I donât think I will venture into vocals and instead stick with instrumentals
This has been my experience so far as well! No one can be in the house when I am attempting to sing. Even though I convince myself I sound OK through the headphones with the mix flowing through, I know the sound I am actually making in a quiet room is nothing short of cringeworthy!!! With everyone gone I can close my eyes, get loud and let loose. (And try to somehow stay in the right key/pitch at least part of the time) Even then, Iâm fighting internal embarrassment!
Haha, yes that is a very good description of what I felt the few times I attempted anything in the singing direction!
How much âeasierâ it is to pluck a string
That said, you seem to have gotten really quite far with your (home) recording efforts!!
Hereâs my last-minute Christmas cover of Clarence Carterâs âBack Door Santa.â I have the B.B. King version on my Christmas playlist, but that bassline is just root notes so went with the original.
Recorded on Fender MiM P Bass with flatwounds directly into DAI.
Pretty simple 12-bar blues song with some fills, but kind of challenging to get the timing down for the quick turn at the end of each measure. Itâs another one of those old recordings with very prevalent bass, so itâs tough to cut that down enough without making the original sound like sh#t. So the bass may sound doubled up a bit.
Not my most polished effort but I wanted to get it done before Christmas. Now I just need to finish up Christmas shopping
Happy Holidays to everyone and thanks for being an awesome community!
Great cover and well played! Definitely better that just root notes.
Happy Holidays to you @bjams!
thatâs an excellent cover @bjams ! very cool bass line, played nicely with a very appropriate tone, it just sounds ârightâ to me