So I think where I was coming from is in my head vs. what I wrote, lol.
I have a lot of basses set up a lot of ways with a lot of various pickups that I have modded.
A tone for any/every occasion, and some occasions that maybe don’t exist.
Why would this logic not apply to short scale, you can mod your way to a tone of any type, no?
To me, there’s a marked difference in how a short scale sounds versus a long scale, and I’m talking same brand/type of strings on both, with no EQ coloring anything.
The short scale produces an inherently strong fundamental from a plucked string note, an open E, for example. A long scale produces a more complex tone when playing that same example note because it produces overtones the short scale just physically doesn’t.
After recently playing a short scale StingRay back-to-back with a long scale StingRay, again, each with the same brand/type of strings, tone knob open and no EQ, the difference between the two was really apparent.
I’m with you 100% when comparing 34”-34” of similar-ish neck profile. Tone is probably easiest to match, cheapest as well. That said feel is some what on the opposite spectrum, as (especially) you probably know among your aerodynes all with 1.5” neck profile one probably feel the best.
The main reason I like short scale is the lower string tension and a certain thumpy vibe, on the other hand my 35’ scale and the multi scale 6 string are also fun And offering great feel in different ways.
That proves more reasons to own more than 1 style of bass, lol.