Stringjoy also lets you select your individual string gauges. They are hand-wound individually. However, being US-made strings, I don’t know how readily available/affordable they are in Europe.
Other US hand-wound string brands are S.I.T. and Dunlop. All three brands make outstanding strings in some very innovative guage and material combos, to suit a wide variety of playing styles.
I don’t think Stringjoy or S.I.T. are available over here; at least, I don’t think I have seen them made available in Europe. Dunlop you can get, especially the stainless steel variants (IIRC).
Let me know if you’d like to try Stringjoy and/or S.I.T. and I’d be happy to ship them to you.
Incidentally, I recently watched a video by SBL’s Ian Martin Allison for Dunlop strings, where he demo’ed eight different sets on various basses. Very interesting characteristics.
I have some sets of Dunlop Nickel Super Bright and Marcus Miller Steel Super Bright strings winging my way. I want to try them out on my Sire V8 and M5, to see how they feel and play.
I just put a set of DR Fodera on the new 5-string bass - not bad! Not as smooth as TIs, but quite agreeable. The funny thing is I don’t like the 5-string set of the TI JRs… for some reason, I don’t like the B string in this set!?!
Really not a fan of steel strings at all… they have that dusty, dull feel to them; quite far from Ni smoothness
If I were to try steel strings, I might try these:
Interesting gauges! Funny thing is that Evan plays those super bright strings, but always completely rolls off the treble on his bass It’s actually making for a surprisingly interesting tone (IMHO).
PS: shouldn’t you be off to bed by now, Mike!? One last Old Fashioned perhaps…
So, these are pictures of my 32" Dunlop Flatwound 45-105. Unfortunately I destroyed three perfectly good strings for an experiment last year, leaving me with one good A string (.100). As long as my experiment worked out (about 5 minutes worth of playing), they sounded really great!
This is a 32" A string on my 30" fretless (ignore the other strings and the missing nut - this bass is being disassembled currently):
cutting the strings and using the thick end in the tuning pegs
drilling holes for string-through
I will decide later, based on how much energy I have left after some other changes on my basses. Installing the battery box on one bass yesterday was much more complicated and time consuming than I thought (using a drill and a dremel) and I have two more basses to go
Did you do that cause you got the 38" cheaply?
That would mean, I could get any size string for my 30" and just cut it down - more choice and better prices!
That’s what happens anyway on headless basses, which just clamp the string, then snip. I would be concerned about windings unwinding on regular tuning machines. Here’s a photo of the headstock of my 27" Valiant Mini Bass. When I questioned Valiant about the heat shrink on the E string, they told me that they hadn’t yet had custom length strings made for it and wanted to avoid any unwinding issues on the rounds they shipped on it. I have since installed a custom length set of Pyramid Gold flats on it.
This is what happened with my experiment last year. I tried to apply the headless fixing principle on my 24" Blackstar Travel Bass, so I could use longer strings that I just cut at the ball end.
I failed miserably!
Ah, a fellow ABM 6240 adjustable brass nut user! Love those nuts!
I also ordered the very same string retainers, as this makes it easier to change string (together with a top loading bridge)
This is my destroyed Dunlop flatwound … look at the middle section, where everything came loose, despite the Heat Shrink Tubing I used to avoid just that
It’s even worse when you have that string in your hands, believe me!
I felt sad…
I can see from the one remaining intact string, how good the quality of those Dunlops are - smooth and not stiff at all. And I remember their 5 minutes of fame, when all worked out perfectly and they sounded terrific … until they lost structural integrity and died a sudden heroic death.
You can’t imagine how the feeling of triumph turned to utter devastation in a matter of seconds.
Saw it listed at a local Music Go Round. I’ve been wanting a Ray-type, and I absolutely loved the look of this thing with the gold paint, nifty body shape, and 5-piece neck. It sounds and feels just as wonderful. It is incredibly light. Even lighter than my Ibanez special. Although playing high on the neck isn’t great.
I had never even heard of Reverend guitars before. I guess they’re small, and quasi-boutique, but sitting at mid-tier prices (most of their basses are ~$1,200 new.) They’re based in Toledo, here in Ohio (although instruments are crafted in Korea). So I can go by and check them out in person next time I’m up that way.
When I first tested it, it let out a horrendous POP when I slapped or did percussive muting. But I lowered the neck pickup and that calmed down.
So now, I have to deal with my wife rolling her eyes at me for buying my third bass in 6 months. She did admit that it is gorgeous and it was really nice when I made her play it. She’s more bothered by the idea of me accumulating Stuff, rather than spending my money. But I’m going to sell my Sire I bought as my first bass, or keep it at work to be able to practice during downtime.
I’m not one to name cars, guitars, or other inanimate objects, but I feel like this one might need to be dubbed “The Beast”…