GAS - Gear Acquisition Syndrome (Part 2)

It’s brand new. Paint chip missing on the back. Flipper got it on a good deal and is looking to make a small profit.

I don’t need one, but I’m curious. There is some stuff I’d like to play with that would need a 5-string, but not much.

I’m curious about 5-string. I suspect it ultimately won’t be my jam, but this is would be an opportunity to experiment and figure out how I actually feel about 5-string. At this price, I’m pretty confident I can sell it on at little to no loss if I don’t like it.

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Follow up question: how are you using it? Specifically:

  1. In a personal practice environment, I assume headphones, or into a DAW?
  2. In a “live” environment, DI or through into an amp?

Thanks

Yeah I mean if you’re interested in a 5 string it’s a pretty low buy in for a high quality bass

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And I checked my account, and had $517 in cash-back rewards on my credit card.

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Personal: It’s running into a Rodecaster Pro 2 mixer to headphones that also runs my PC audio so I can hear both and play along (Analogue also has Bluetooth so I don’t NEED to run it this way if I didn’t want to)

Live: DI

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Much appreciated. As you might surmise, I’m pondering…!

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Thanks. Forgot about that thread.

Exactly. A bass, any bass, should ideally be designed to accommodate whichever genre(s) a player actually plays.

A fiver absolutely has its sweet spot applications. On the other hand, a 4-string is capable of playing essentially anything, the extra five low notes of a fiver notwithstanding.

But 400 bucks is a low barrier to entry for an exploratory trek into the Five Zone. And being able to recoup the purchase price in a subsequent sale is pretty much a slam dunk. So, why not take the plunge? No really good reason not to.

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I love Ray35. If you are a slapped the HH will be in the way. So be aware. I usually move around when I slap but on the HH I pick a spot and park it.

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Gonna repeat my mantra here: the five extra notes are cool, but not really the only thing you get from a fiver. It’s often much more the ability to stay in position with your fretting hand, and not having to move your hand quite a bit for certain lines, especially also faster stuff.

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You’re absolutely correct about the fifth string allowing you to play across the neck in a given fretting position. Shifting frets on a 4-string is the only way to play the same set of notes.

Still, that ability doesn’t attract me to a fiver. The generally tighter string spacing, extra weight and additional muting requirements aren’t worth the squeeze to me. Of course, fivers have good and real value to others, and I respect that.

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When I looked it was listed for €1200, but it seems the price already went up. It’s a good buy since it has the exact same power, but in a smaller form factor.


I bought a neck. Player Mustang neck. Going to be a project soon

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Totally true. However, the timbre of the B string on every fiver I have ever played has not been great above the 5th-7th fret. Some have sounded pretty bad.

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Actually there’s quite a fun interview with DJ Bobo on “Bounce”, which is a format focussing on hiphop / rap from our national tv/radio provider. In his own words he’s a mediocre rapper, dancer and dj and lucky to work with very good professionals. He started out DJing as a teen at youth centres, where the then existing hip hop records weren’t received well by the audience. So he started to mix popular music with music he liked (hip hop/rap), to make his friends dance. And that recipe seemed to work well :grinning_face_with_smiling_eyes: . Also Chihuaua was an accident, it started out as a demo for an advertisement jingle for a spanish beverage :joy: So the song that went “viral” was an unfinished demo :face_with_peeking_eye:

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I wished that all “artists” were that honest!

Truth to be told: a friend of mine organized his tours, and I was like “hahaha - oh no!”, but she told me that he is actually a very very nice and humble guy.
Does not make me wanna listen to his stuff, but I do see him differently now.

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Yes, I really like the separation from “being a good musician/good music” and “producing music that is liked by a broad audience/popular music”, which are two completely different things a person can be good at. It’s very honest and doesn’t take away from either skill sets.
I often argue with my boyfriend who’s a “David Guetta is the Best DJ ever” person :joy: , I would agree much more if he’d be like “David Guetta is a very good producer for popular electronic music”.

WTF? Get rid of him! :slight_smile:

Sven Väth is (was) the best DJ ever, everybody knows that (though he can be an @sshole)
I have partied to quite a few of his 8 hour sets, and he is so good that I don’t even mind that he was more succesful with a girl I fancied a lot, cause of all the good times he gave me on the dance floor :slight_smile:

Luckily he listens to other stuff than EDM that I like aswell, but I have had relationships with bigger overlaps in music taste :joy: He’s currently learning to play the trumpet, I’m hoping that will shape his taste in music a little more to my favors :sweat_smile:

Have you ever seen C2C live? I’m probably not a fair judge with everthing EDM-like because I HATE artificial woman’s voices and everything sounds like the same shit to me :upside_down_face: I’m starting to have fun when either the texts are ironic (Bum Bag - To Fix Herpes Do Burpees is a masterpiece :laughing: ) or everything leans to dnb or dancehall and uses more organic samples generally :thinking:

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C2C is good, but not really my taste anymore. The thing with calling someone “best” is super subjective. A lot of people call Tiesto, Martin Garrix or Armin van Buuren the best DJ in the world (all Dutch by the way) based on popularity. I can only say that Armin probably has the best light shows.

Personally I stay the hell away from anything that started as trance :smiley:

My condolences :rofl:

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