Sounds like you are not giving it enough credit.
Or he is overplaying the capabilities.
I like how he describes being able to separate the highs and lows, and voice them how you want then blend them back together, that is asking alot, but if it can do that, could be a nice little pedal to have.
That is a Sterling Stingray Ray34. I love the black hardware, and I actually like that one better seeing it being played. From the pictures, I didn’t like it that much. I do like the Black Ash one better tho.
I’m actually using my Helix more for bass atm @howard. It contains about 25 bass models and it even includes Darkglass effects. Because of this I sold my AO Ultra to buy this one (I prefer the B7K anyway) and I wanted a all-in-one solution for chorus, delay, reverb, etc.
I had the full scale pedal, but like Gregor I decided I just wanted the smaller version so I traded down. The jptr jive has gotten a lot of buzz since he called it his favorite pedal:
It’s a strange pedal, like a lot of jptr stuff. You can use it as a gain pedal, and they claim a 40 dB boost which is insane . I use it as an always on pedal. They call it a saturation pedal and say it’s based on old reel to reel tape machines. Like compression, you really wouldn’t notice it until you turn it off. I think it gives you a really full, rich, tube sound. It’s not my favorite pedal but I like it. Looks cool too, with the really bright off white led.
This just won’t do. The pedal specific picture is great but we also need to see it in context with the rest of the board. How else are we supposed to live vicariously through you?
The NUX one is for the drum machine. The red switch starts and stops it, the blue one switches from the A beat to a fill, and then to the B beat (or vice versa).