Get rid of the trem and I quite like this. In fact, cut the headstock off and replace the trem with a Steinberger tuning bridge, or the Ibenez tuning mono-rails, and I’d be there!!
Even better in the yellow, but I would also want to change out the pick guard for something that pops!
It’s charm is that it’s sort of a B movie done by on an A list budget (at the time). You might enjoy it for the cheesiness, or you might consider it 90 minutes of your life that you’ll never get back.
Yeah, film/TV distributors contract with a given streaming service for a specific period of time only. Then they sell a property’s (film or series) exclusive streaming rights to another. Rinse and repeat.
Tremors was my Mom’s favorite movie and Tron was my Dad’s. Watched both countless times as a kid. My wife of now 20 years just saw Tremors for the first time, against her will, about 6 months ago. She said she feels like she understands my childhood better but still wants her hour and a half back.
Unlike Tremors, Ishtar was intended to be good, very good. But it turned out to be a waste of time, straight up. It had a ton of top Hollywood talent behind it, only to amount to a steaming pile in the desert.
The Princess Bride was a William Goldman script, so it had a lot of high-power Hollywood cred going for it way before it was produced.
Speaking of which, back then I was heavily studying screenwriting. I signed up for an intimate workshop with a Hollywood reader (script analyst) who had recently moved to Austin. She said we would analyze a script she had come across that was a primo example of great screenwriting pacing, dialogue and character development. That then-unproduced script was titled “The Princess Bride.”
We laughed our asses off as we broke down each scene. It was a great piece of work. Ultimately, it would be a few years until director Rob Reiner would bring Goldman’s vision from the page to the silver screen.