Yeaaah @Vik!
Thanks for taking up the gauntlet / jam offer.
Everything about this bass line is good.
Root note on downbeat = check
Simple and repetitive = check
I like the move to the 5 of the chord towards the end of the phrase, and I really like the walk at the end up the scale as the track moves up.
Your time is good, and it all works so - success!
If we were in a lesson and you played that, after we high-fived and wallowed in the success of a juicy bass line for a minute, I’d go on with the following:
A good way to conceptualize a bass line like this is:
DON’T PLAY THE BASS RIGHT AWAY.
Listen to the track, and let your musical brain hear the bass line that you wish was on there. Do not have your bass plugged in for this part. Listen and sing, hum, imagine - however you can conceptualize the bass line.
If you have your bass in your hands, and start there, your fingers and analytical-practice-fingering-form brain will have the tendency to take over. Resist this!!
When you’re listening - here are something to try:
1.) The root note / basic groove.
There should be something that is identifiable and repeatable that locks you in to this particular groove. Best starting advice: Listen to the drum pattern, and try and find a root note bass line that locks into the kick drum pattern for beats 1-2. Whatever the kick drum does through the beginning of the bar, you do it too. Sing it to yourself or out loud.
2.) THE RULE OF FOUR. Whatever your basic rhythmic / root pattern is, try this tried and true formula for bass line variation:
On a four bar / four pattern phrase:
Bar 1 = the simple groove verbatim
Bar 2 = the simple groove with a slight variation
Bar 3 = the simple groove verbatim again
Bar 4 = variation - this could be the groove with a slight variation, this could be a complete other part, it could be a real tasty fill, it could be the bass hook -
the purpose here is to go somewhere else, so that when you start over again at Bar 1 of your 4-bar adventure, it feels like an arrival.
Try all of this without playing the bass.
Then, if you have your ideas solid, pick up your bass and play them.
…in real life, what follows is lots of strained and awkward moments of grown-ass adults to teenagers realizing their bass instructor has asked them to sing… and that he is serious about it. This type of thing is reaalllll hard to do one-on-one in front of a teacher. Better at home. But it’s SUPER important to keep the music first, your hands and fingers second.
Thanks again for finding the track.
I made one in every key, in lots of different styles.
Send me a private message, and I can link you to some playalong dropbox folders of both major and minor pentatonic playalongs in all keys.
Good fun!